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The Haunter of the Dark€ 94,99The Haunter of the Dark is based on a tale by the author Howard Phillips Lovecraft (1890-1937) about a deserted church, where according to an old legend a monster had been lying low for years.
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Tallis Variations€ 88,75Test piece 1st Division Brass Band - World Music Contest 2022
The hymn tune on which these variations are based is the third of nine that Thomas Tallis wrote in 1567 as part of a psalter for the first Anglican Archbishop of Canterbury, Matthew Parker. It was later used by Vaughan Williams in the English Hymnal and as the basis for his Fantasia.
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Fantasy Overture Swan...€ 70,25Philip Harper's new version of highlights from this cherished Russian ballet classic, including the Dance with Goblets, Scene by the Lake, Waltz of the Swans and many of the heart-racing up tempo dances, as heard played by Cory Band on Classic FM. Nine minutes of pure escapism, suitable for 1st Section bands or above.
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The Final Frontier€ 130,00In The Final Frontier, the composer explores different associations with the universe. Inspired by Stephen Hawking’s (1942-2018) book Brief Answers to the Big Questions, the piece describes the wonders and dangers of the universe, the big questions about the smallest elements, and the possibility of space travel.
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Those gazing eyes€ 110,00Those gazing eyes is a programmatic work: We see a child gazing into the distance, slowly we enter his fantasy.
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Where Words Fail€ 110,00A well-known statement by Hans Christiaan Andersen is: “Where words fail, music speaks.” In Where Words Fail, the composer also lets the music speak about things he could not find the words for.
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The Spider's Web€ 84,99The Spider's Web (het spinnenweb) is een metafoor voor gevaar, onzekerheid en risico. Door het hele werk heen contrasteren momenten van dreiging met momenten van rust op bepaalde punten komen deze twee ideeën samen en op andere plekken gaan ze de strijd met elkaar aan. In dit werk, dat veel technische vaardigheid van de spelers vraagt, gaan momenten van vredige kalmte onverwacht over in situaties van dreiging en gevaar. Een indrukwekkend, veelzijdig en spectaculair werk!
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St James - A New...€ 127,99Verplichtwerk 1e Divisie - Nederlandse Brassband Kampioenschappen 2024
St James’s – A New Beginning herdenkt de dood van de Engelse architect Sir Christopher Wren 300 jaar geleden. Londen werd na de Grote Brand van 1666 weer opgebouwd naar zijn ontwerpen. Het stuk is gekozen als verplicht werk voor het nationale brassbandkampioenschap van Groot-Brittannië (“1st Section”) van 2023.
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Afterlife€ 160,60In 'Afterlife', the composer describes his impressions at death and the afterlife.
The work is based on the Dies Irae motif, which has often been used throughout music history to represent death. Different emotions associated with death are expressed in various forms and inversions of the theme.
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The Saga of Haakon the...€ 229,99The Saga of Haakon the Good werd geschreven in opdracht van Frei Hornmusikk uit Noorwegen, ter gelegenheid van het samengaan van de twee Kommuner (gemeenten) Frei en Kristiansund op 1 januari 2008. Deze brassband gebruikte het werk bij het Noorse Nationale Brassbandkampioenschap in februari. De compositie is gebaseerd op belangrijke gebeurtenissen in het leven van Haakon de Goede (ca. 920-961), die koning Haakon 1 van Noorwegen werd - THE FUTURE KING.
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The New Jerusalem€ 115,95Commissioned by the National Youth Brass Band of Great Britain and first performed in 1990, a revised contest version was subsequently used as the set-work for the 1992 National Championships of Great Britain. It has since become one of Philip Wilby's most revered compositions and has been performed throughout the contesting world. Although initially inspired by a quotation from the Revelation of St John — "And I saw a New Heaven and a New Earth; for the first Heaven and the first Earth were passed away….", in the composer's mind it subsequently took on an almost allegorical dimension — much like Eric Ball's 'Journey into Freedom'. Revised against a backdrop of huge political change following the demise of the Soviet Union and the domino effect of collapse that occurred throughout former Eastern Block communist countries, for Wilby it came to represent "the triumph of the human spirit over oppression". As he himself wrote: "For a moment, the prophecy of St John's Revelation was suddenly highlighted in a new and quite unexpected way. The off-stage fanfares*, the turbulent nature of a large proportion of the band music and above all, the piece's life affirming end may all be seen as an optimistic vision of that social and religious rebirth".