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LEI€246.00Available from October 20, 2020
The composition LEI was written by Rob Goorhuis on behalf of Geert Giesbertz in memory to his father Leonard Hubertus Giesbertz and donated to fanfare Concordia Meterik conducted by Chris Derikx on the occasion of the 100th anniversary of this orchestra in 2020. -
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Monolith€130.00The composition "Monolith" was commissioned by NEW MUSIC NOW Files and is inspired by the Groninger Forum: its architecture and how this building takes position in the center of the city of Groningen. The design and characteristics of this building formed, in a translation into musical material, the starting point of the compositional process.
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Monolith - score€32.50The composition "Monolith" was commissioned by NEW MUSIC NOW Files and is inspired by the Groninger Forum: its architecture and how this building takes position in the center of the city of Groningen. The design and characteristics of this building formed, in a translation into musical material, the starting point of the compositional process.
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45 – 20 Souvenir de la...€276.00This composition was specially written for the 75th anniversary of the Marine Band of the Royal Dutch Navy. The orchestra was founded in 1945 almost immediately after the liberation from the German occupier.
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Melt€119.95Melt is een flitsend openingswerk om uw concert of concours in ensemble formatie mee te beginnen.
Melt is geschreven in opdracht van Fanfare Emergo - Castricum -
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Ultrajectum€276.00First of all, there is the title of the work that refers to the Roman fort on the river Rhine, then the northern border of the Roman Empire. Trajectum stands for the place where a river could easily be crossed. Trajectum changed over the centuries in Trecht and later in Utrecht.
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Poème Symphonique€276.00The work was written for the World Music Competition in Kerkrade as a compulsory work for the 1st division fanfare in the 1989 edition, and for a long time was only available as an original fanfare work. Since then it has remained a very appealing composition for the Brass and wind music audience, not only because of the exciting progression of the piece, but also because of its special compositional approach.
As is often the case with popular works, a version for concert band was also regularly hinted at in this work. It is quite common knowledge that Rob Goorhuis does not like to write in a HAFABRA mode. His works generally only exist in one setting, the original, for the orchestral form for which it was conceived. However, Rob Goorhuis has devoted himself to a completely new version, which does justice to the color palette of the concert band. The flexibility of the woodwinds gives an extra dimension to the new work thus created.
