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The Irish Washerwoman€41.50The Irish jig is very fashionable within the traditions of Irish dance music and none more so than this particular favourite, The Irish Washerwoman. There are various forms of jig including the 'single jig', 'slip jig' and 'slide jig'. Written in 6/8 time, this skilful setting by Rodney Newton breathes new life into the popular tune and is a perfect example of the 'double jig'.
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O Isis Und Osiris€35.90The Magic Flute (Die Zauberflöte) is one of Mozart’s most successful operas, premiered only 2 months before the composer’s early death. Skilfully arranged now as an Eb Tuba solo (with an Euphonium solo part as an alternative option), this is a chance for your band’s tuba player to show the instruments in a new light, not often seen on the concert stage.
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A Letter Home€41.50A Letter Home was composed for Kirsty Abbotts and the Carlton Main Frickley Colliery Band for their opening set at the 2014 Brass in Concert Championships, held at the Sage Centre in Gateshead.
The music isn't the setting of the text, but is inspired by a select of the words of much cherished World War I poet, Siegfried Sassoon's poem of the same name.
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The Verdant Braes of...€35.50Ireland is renowned for having an almost endless list of folk tunes that have been passed down from generation to generation. Now, in a moving arrangement for the Flugel soloist, 'The Verdant Braes of Skreen' has been arranged by Max Stannard and is the perfect choice for bands and soloists looking to indulge in a little Irish culture.
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Novella€41.50Novella was originally written for Eminence Brass Quartet to display the lyrical qualities of the ensemble through use of simplistic writing, whilst providing a reflective piece for the audience to enjoy.
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O Isis Und Osiris€35.90The Magic Flute (Die Zauberflöte) is one of Mozart’s most successful operas, premiered only 2 months before the composer’s early death. Skilfully arranged now as an Eb Tuba solo (with an Euphonium solo part as an alternative option), this is a chance for your band’s tuba player to show the instruments in a new light, not often seen on the concert stage.
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