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Concert Openingpiece of the Dutch Rock Sensation: Within Temptation. Played in 2008 with the Metropole Orchestra conducted by Jules Buckley.

A Water's Fantasy (In En Om De Sprengen) is a fantasy-like work in three parts, written for the music association Prince Bernhard Emst. 

Part 1 opens with 'De Spreng' filling up. The water enters De Spreng in large and small shoots. Then we go on an adventure through Emst. It flows, as it were, from part 1 via the quiet meadows and nature (rehearsal number D) into the village, where it encounters all kinds of tourists in part 2. This second part (rehearsal number F) is characterized by the commotion. Here and there it gets a bit restless, but the prevailing atmosphere is almost festive. All kinds of different people together, which is also reflected in the rapid variation in the music. After this hustle and bustle, there is time for the peace and quiet that nature radiates around Emst (rehearsal grade I). Then the Emster Festival comes into view. First the preparation (rehearsal grade J) and then the party starts (rehearsal grade L). There is the option to have the entire club, including the starting youthplayers, play along by means of: the flex parties. This part (rehearsal figure L to the end) can also be played as a separate intermezzo.

In 'Afterlife', the composer describes his impressions at death and the afterlife. 

The work is based on the Dies Irae motif, which has often been used throughout music history to represent death. Different emotions associated with death are expressed in various forms and inversions of the theme.

This music was inspired by passages from the Old and New Testaments where the last days are prophesied. It features several references to the tune 'The judgment day' along with the more contemporary songs 'I see the King of Glory' and Salvation belongs to our God.

Winter Wish
This song is written by the incredibly successful duo Benny Andersson and Björn Ulvaeus. 

It became a huge hit in Sweden when recorded by Benny Anderssons Orkester and vocalist Helen Sjöholm in 2012. The melody and lyrics bear their stamp of top quality, and the beautiful simplicity of the tune should make the arrangement popular with most audiences.