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  • Redbad
    • Out-of-Stock
    Redbad
    €189.99

    Redbad was the King of the Frisians during the period of c. 680 to 719. This musical portrait consists of seven connected movements which are closely interwoven thematically. The composer drew his inspiration from historical information, but also from stories, anecdotes, myths and legends from Redbad’s time. The work begins with a heroic theme that introduces the legendary King of the Frisians. Fragments of this theme keep returning throughout the work. By means of strongly contrasting thematic material, Hell or Heaven conveys the way Redbad refused to be converted to Christianity – according to one anecdote, this was because he was afraid that he would not be reunited with his forefathers in heaven. Redbad regularly fought the Franks from the south, who were led by Pepin of Herstal, or the Duke of the Franks. Because of his three nicknames, the Younger, the Middle and the Fat, this Frankish warlord is musically represented through solos played by the three trombone players. After Pepin’s death in 714, expressed in Elegy 1, a civil war broke out.

  • Argos
    • Out-of-Stock
    Argos
    €143.80
  • Abel
    • Out-of-Stock
    Abel
    €185.00
  • A Gabriely Fantasy
    • Out-of-Stock
    A Gabriely Fantasy
    €174.99
  • Back on Track
    • Out-of-Stock
    Back on Track
    €136.99
  • Compostela
    • Out-of-Stock
    Compostela
    €169.99
  • Hermitage
    • Out-of-Stock
    Hermitage
    €117.99
  • Albion
    • Out-of-Stock
    Albion
    €154.99
  • Free Mind
    • Out-of-Stock
    Free Mind
    €64.99
  • No Man's Land
    • Out-of-Stock
    No Man's Land
    €184.99
  • Fanfare for an Occasion
    • Out-of-Stock
    Fanfare for an Occasion
    €83.77
  • Monolith
    • Out-of-Stock
    Monolith
    €130.00

    The composition "Monolith" was commissioned by NEW MUSIC NOW Files and is inspired by the Groninger Forum: its architecture and how this building takes position in the center of the city of Groningen. The design and characteristics of this building formed, in a translation into musical material, the starting point of the compositional process.