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Dante’s Descent€140.00Dante’s Descent is based on parts of Dante’s novel. It is a musical sketch of the composer's imagination of the first part: Inferno.
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Express to Murder€70.00The Oriënt Express rushes through Europe to Constantinople and the unsuspecting travellers enjoy their surroundings and music. But, there is a killer among the passengers and one of them will not make it to the end of the journey.
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Legend€130.00Legend of the Bleeding Eyeball and the Blind Werewolf is a test piece for brass band.
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Saint Lambert€100.00Saint Lambert was commissioned by Chr. Muziekvereniging Jeduthun Oldemarkt for their 110th anniversary (1905-2015). The piece is based on the legend of Saint Lambert.
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SHARDS!€70.00SHARDS! was commissioned by Brass Band Pro Rege Heerenveen as their opening work at the WMC World Brass Band Championships 2017.
A shard of glass has a hard surface that reflects light. It also refracts light, giving a kaleidoscopic effect, although its edge can also be sharp as a razor. The musical language in this work represents the hard, sharp and kaleidoscopic features of shards of glass. -
Sing praise€60.00Sing praise is an upbeat opener or concert piece that is based on the Old Hundredth.
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Soaring the Sky€60.00Soaring the Sky is a short piece in a typical brass band style with influences from popular music. It captures a feeling of freedom: a feeling of flying in total harmony with your surroundings. To soar literally means flying without propulsion, furthermore it means to ascend to an unknown height.
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Redbad€189.99Redbad was the King of the Frisians during the period of c. 680 to 719. This musical portrait consists of seven connected movements which are closely interwoven thematically. The composer drew his inspiration from historical information, but also from stories, anecdotes, myths and legends from Redbad’s time. The work begins with a heroic theme that introduces the legendary King of the Frisians. Fragments of this theme keep returning throughout the work. By means of strongly contrasting thematic material, Hell or Heaven conveys the way Redbad refused to be converted to Christianity – according to one anecdote, this was because he was afraid that he would not be reunited with his forefathers in heaven. Redbad regularly fought the Franks from the south, who were led by Pepin of Herstal, or the Duke of the Franks. Because of his three nicknames, the Younger, the Middle and the Fat, this Frankish warlord is musically represented through solos played by the three trombone players. After Pepin’s death in 714, expressed in Elegy 1, a civil war broke out.
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