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  • Dreamcatcher
    • Out-of-Stock
    Dreamcatcher
    €136.99
  • Stratosphere
    • Out-of-Stock
    Stratosphere
    €119.99
  • Bleak Forest
    • Out-of-Stock
    Bleak Forest
    €97.99

    Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.

  • Crazy Twenties
    • Out-of-Stock
    Crazy Twenties
    €174.99

    Crazy Twenties takes place in the 1920s, a decade otherwise known as the "Roaring Twenties". This work retraces an exceptional period in social, cultural and artistic terms, when a new generation dreamt of a new world. The work opens with a bright and lively movement, followed by a nostalgic interlude. A gracious slow movement accompanies the Parisian district of Montparnasse. Written in the style of an unstable blues, the next movement evokes characters sipping their Bloody Marys in a café. The final movement is a fugue with the main motif as the subject.

  • Entry
    • Out-of-Stock
    Entry
    €62.50
  • The Road less traveled by
    • New
    • Out-of-Stock
    The Road less traveled by
    €170.99
  • A Gabrieli Fantasy
    • New
    • Out-of-Stock
    A Gabrieli Fantasy
    €179.99
  • Postcards from tomorrow
    • New
    • Out-of-Stock
    Postcards from tomorrow
    €124.99

    During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren?

    To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.

    The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope.

    In July 2021, Postcards from Tomorrow was awarded the first prize at the “La Bacchetta d’Oro” international composition contest in Italy.