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  • Repertorium: 1e Divisie
  • Atlantis
    • Out-of-Stock
    Atlantis
    €464.99

    3 Traumbilder für sinfonisches Blasorchester

  • Harlequin
    • Out-of-Stock
    Harlequin
    €199.99

    The overture Harlequin was composed in 1995 to mark the 50th anniversary of the Swiss Federation of Wind Band conductors. The striking ascending and descending melodic lines, heard throughout the composition, together with the intricate rhythm, form an entertaining whole.

  • Nitescence crépusculaire

    Test piece 1st Division Wind Band - World Music Contest 2022

  • Keystone
    • Out-of-Stock
    Keystone
    €234.99

    Keystone vertelt het verhaal van het Odeon in de Nederlandse plaats Vriezenveen. Historisch beschouwd is odeon de naam voor een gebouw uit de Grieks-Romeinse oudheid waar zang, muziek en dichtkunst werden beoefend. In 1998 kozen de leden van de Vriezenveense Harmonie deze naam voor het culturele centrum dat ze gingen bouwen. Het werk begint langzaam met de basinstrumenten en wint aan snelheid via een contrapuntpassage waarin het hoofdmotief steeds van instrumentengroep wisselt. Na een langzamer gedeelte versnelt de muziek opnieuw, om uit te monden in een majestueus koraal dat het prachtige Odeon weerspiegelt.

  • Guardian Angels
    • Out-of-Stock
    Guardian Angels
    €186.60
  • Derivations
    • Out-of-Stock
    Derivations
    €273.00
  • Atmospheres
    • Out-of-Stock
    Atmospheres
    €174.21
  • Between the Two Rivers
    • Out-of-Stock
    Between the Two Rivers
    €345.99
  • Codon
    • Out-of-Stock
    Codon
    €269.99
  • Procession to Calvary
    • Out-of-Stock
    Procession to Calvary
    €314.99
  • Poème Symphonique
for Concert Band
    • Out-of-Stock
    Poème Symphonique
    €276.00

    The work was written for the World Music Competition in Kerkrade as a compulsory work for the 1st division fanfare in the 1989 edition, and for a long time was only available as an original fanfare work. Since then it has remained a very appealing composition for the Brass and wind music audience, not only because of the exciting progression of the piece, but also because of its special compositional approach.

    As is often the case with popular works, a version for concert band was also regularly hinted at in this work. It is quite common knowledge that Rob Goorhuis does not like to write in a HAFABRA mode. His works generally only exist in one setting, the original, for the orchestral form for which it was conceived. However, Rob Goorhuis has devoted himself to a completely new version, which does justice to the color palette of the concert band. The flexibility of the woodwinds gives an extra dimension to the new work thus created.