Left Banner
-
- Out-of-Stock
-
- Out-of-Stock
Bleak Forest€97.99Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
-
- Out-of-Stock
The Last Typewriter€119.99Dit werk beschrijft de historie en ontwikkeling van de typemachine in de krantenwereld. Het typerende tikgeluid vormt de rode draad terwijl verschillende muziekstijlen de revue passeren. Aan het slot delft het oude vertrouwde tiktoestel het onderspit en maakt het plaats voor de computer. De compositie bevat solo’s voor verschillende instrumenten, die de telkens terugkerende typemachine begeleiden. In een theatrale opzet, met ruimte voor eigen ideeën, komt het muzikale verhaal nog beter tot zijn recht.