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A Tallis Fanfare (fa)€84.99A Tallis Fanfare is a festive and virtuoso composition by Rodney Newton, based on the well-known canon of the 16th century composer Thomas Tallis. Newton's work functions excellently as the ultimate concert opener, and is characterized by its surprising modulations and beautiful color palette. The skillful fanfare arrangement is by Marten van der Wal. There is plenty of room for the saxophone section.
The hymn in the middle section is preceded by a quick festive passage that returns at the end. A Tallis Fanfare contains many contrasts and is a rewarding occasional work at various events. After a festive introduction by the entire orchestra, Tallis's leading theme is performed by the trombone section, after which the saxophone group takes over the musical direction of this hymn. The ending is a reflection of the beginning; grand and exalted.
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Bright Future€78.00The composition 'Bright Future' was written as a prize for Fanfare 'Kunst Na Arbeid' Hierden (conducted by Arno Groeneveld) for their victory in the 4th division at the Open Dutch Fanfare Championships (ONFK) in 2023.The commissioner's wish was to create a contrasting work, combining march-like gestures with chorale-like sounds within a contemporary idiom.The contrasting theme serves as a metaphor for innovative paths the band has taken in recent times in order to achieve a positive and clear future perspective.The title (provided by the band) originated from this idea. In addition, the work contains a proud and maestoso character, to refer to the band's victory at the Open Dutch Fanfare Championships 2023.
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Poème Symphonique€276.00The work was written for the World Music Competition in Kerkrade as a compulsory work for the 1st division fanfare in the 1989 edition, and for a long time was only available as an original fanfare work. Since then it has remained a very appealing composition for the Brass and wind music audience, not only because of the exciting progression of the piece, but also because of its special compositional approach.
As is often the case with popular works, a version for concert band was also regularly hinted at in this work. It is quite common knowledge that Rob Goorhuis does not like to write in a HAFABRA mode. His works generally only exist in one setting, the original, for the orchestral form for which it was conceived. However, Rob Goorhuis has devoted himself to a completely new version, which does justice to the color palette of the concert band. The flexibility of the woodwinds gives an extra dimension to the new work thus created.